“During my time at the dance- and art academy I researched Jan Fabre. I was drawn by his way of directing his dancers and actors into his plays. A form of transgression. I wrote an essay to him in which I declared that I was planning to be a better director than he is. The essay vanished. A manifestio remained.”
The research took place between 2013 and 2016. It was before the #MeToo movement.